Tables

Main bass note at  octaves with treble

bar 1, 1st beat, 1st quaver: E & E
bar 3, 1st beat: F# & F# (perhaps B bass)
bar 3, 3rd beat: E & G#+E
bar 4, 1st beat: E & E
bar 4, 3rd beat: E & E (perhaps A bass)
bar 6, 3rd beat: E & B+G#+E bass
bar 7, 2nd beat, 1st quaver: (perhaps G# & G#)
bar 7, 2nd beat, 2nd quaver: (perhaps B & B)
bar 11, 2nd beat, 1st quaver: G# & G#
bar 11, 2nd beat, 2nd quaver: B & B

Main bass note at non-octave conchordance with treble

Ist phrase

bar 1, 1st beat, 2nd quaver: E + C & A – melody 5th * and 3rd over 1st
bar 1, 2nd beat, 1st quaver: B & G#  – melody 5th over 3rd *
bar 1, 2nd beat, 2nd quaver: B + G# & E – melody 5th * and 3rd over 1st
bar 1, 3rd beat, 1st quaver: F# & D# – melody 5th over 3rd *
bar 3, 1st beat: F# & B – melody 5th over 1st (perhaps F# bass)
bar 3, 2nd beat: F# & B – melody 5th over 1st (perhaps without bass)

2nd phrase

bar 5, 1st beat: G# & B+G#+E – melody 3rd over 1st
bar 5, 3rd beat: E & A – melody 5th over 1st * (perhaps E bass)
bar 6, 1st beat: G# & E – melody 3rd over 1st
bar 6, 3rd beat: C# & A – melody 3rd over 1st
bar 8, 1st beat: C# & A – melody 3rd over 1st

3rd phrase

bar 9, 1st beat, 1st quaver: G# & E – melody 3rd over 1st
bar 9, 1st beat, 2nd quaver: B & G# – melody 5th over 3rd *
bar 9, 2nd beat, 1st quaver: C# & A – melody 3rd over 1st
bar 9, 2nd beat, 2nd quaver: D# & F# – melody 3rd over 5th
bar 9, 3rd beat, 1st quaver: E & G#  – melody 1st over 3rd
bar10, 1st beat, 1st quaver: G# & B – melody 3rd over 5th
bar 10, 2nd beat, 1st quaver: F# & A – melody 1st over 3rd * (perhaps 3rd over 5th)
bar 10, 2nd beat, 2nd quaver: E & G# – melody 1st over 3rd *
bar 10, 3rd beat: C# & A – melody 3rd over 1st


* shows where 3rds/6ths appear but where the melody note is not the third note of a triad
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Féachain Gléis
Harping style
Tables
Explanation of analysis
Analysis
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Port Priest
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Gaelic harmony overview
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