PRINTED SOURCES

There are three printed sources for this march, all published within twenty years of
each other:-

A COLLECTION of Ancient Scots Music for the VIOLIN HARPSICHORD or
German-flute.  Never before Printed Consisting of Ports Salutations Marches or
Pibrachs &c. BY DANIEL DOW.  Edinburgh (1776), p26
'
Thug Bonny Peggie dhamhsa Pog - Bonny Peggie kiss'd me' (marked 'Slow')

A COLLECTION of Highland Vocal Airs. Never hitherto published. To which are added
a few of the most lively Country Dances or Reels, of the North Highlands & Western
Isles: And some Specimens of Bagpipe Music. BY Patrick McDonald Minister of Kilmore
in Argyleshire. Edinburgh (1784), p22
no. 141 (untitled, marked 'Rather Slow')

A General Collection of the Ancient Music of Ireland, Arranged for the Piano Forte;
some of the most admired MELODIES are adapted for the VOICE, To Poetry chiefly
translated from the Original Irish Songs, BY Thomas Campbell Esq. AND OTHER
Eminent POETS: To which is prefixed A Historical & CRITICAL Dissertation ON The
Egyptian, British and Irish Harp BY EDWARD BUNTING. Vol: 1st. LONDON, p6
'
IM BO AGAS SAMHA BO.- BURN'S MARCH.' (marked 'MAESTOSO')
words
Burns' March
Banks of Claudy
Táim i mo Chodladh
Féachain Gléis
Words
Harp 'ceòl mór'
Quinn's set
Hampsey's set
Lyric and tune
Cumha Bharúin Loch Mór
Port Priest
Fairy Queen
Gaelic harmony overview
Conclusion
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Below the sisters
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