Í IM BÓ 'GUS Ú UM BÓ
Hampsey's Set

Bunting's published editions can often show a degree of melodic and rhythmic
alterations from his original notations.  It cannot therefore be assumed that the
published setting of Burns' March is an accurately detailed representation of what
Bunting originally heard from the harpers.

His intial notations of Hampsey's version of this tune are found in
MS29 pp30-31
(ff14v-15r) and they clearly show Bunting taking down five refrains and four verses'
worth of melody.  The titles here are given as

Burnss March  very old           or Aimbo agus umbo in Irish        steal a cow & eat a cow
huggad de gadda Freed I mony

Take care of the rogue coming thro the marsh

As we know from Dow, MacDonald, and Bunting's published version, each chorus
comprises a repeated section of one bar's length, and each verse contains a repeated
section of two bar's length.  However, the original melodic and rhythmic form of the
repeated sections of verse material in MS29 can be doubted because of Bunting's
abbreviation of the melody in notation.

The abbreviation is evident in verse two in p30, in the last three of the five choruses
(the third being left unnoted) of p30, and again in verse two in p31.  The musical
material for the verses is contained within the space of one bar in p31 but previous
knowledge of the march from Dow and MacDonald, together with attention to the
melodic movement in the right hand, indicate that Bunting is notating a two bar section
of melody each time.
transcription
air and graces
Burns' March
Banks of Claudy
Táim i mo Chodladh
Féachain Gléis
Words
Harp 'ceòl mór'
Quinn's set
Hampsey's set
Lyric and tune
Cumha Bharúin Loch Mór
Port Priest
Fairy Queen
Gaelic harmony overview
Conclusion
Gaelic modes home
Pedigrees
Printed sources
Harmony
Progressive lessons
Below the sisters
Introduction
Air and graces
Leapless streams
Verse three