Of Bunting's published setting of the march, it is not clear that the entire four verses were taken from Patrick Quinn. The first two verses of Bunting's published setting of the march are identical with Hampsey's verses one and two in MS29 while the last two verses relate to Quinn's two verses from MS33 book I. While Hampsey and Quinn might both have had four verse settings of the piece, it is quite possible that Bunting has simply presented Hampsey's first two verses and followed them with Quinn's first two verses as an alternative verse three and four, perhaps because he considered them more musically attractive than Hampsey's verse three and four. We have no original four verse notation from Quinn by Bunting as we have for Hampsey. Bunting was not averse to combining sets from different harpers in one, his MS20 version of Táim i mo Chodladh being a clearly annotated example.
The two verses definitely associated with Quinn can be found in MS33 book 1 ff32r/f31r. The first verse is notated in f32r and the second in f31r. Above the f32 notation is written