TUNING

Táim i mo Chodladh has a mode which Bunting does not specify in terms of a key or a
scale: a G mode.  
Da Mihi Manum and Lochaber no More have a similar scale which
requires an F natural instead of an F#.  One might assume that the standard téad
leagaidh tuning (no sharps plus F in the bass below the crónán G) would be required for
the arrangement to work in the key of G.  However, the horizontal harmonies of some
modes suggest the need for a bottom E below the crónan G instead of an F and this
would require the téad leagtha.  Both the MS20 and MS33 settings of
Táim i mo Chodladh
display such an E and its appropriateness in this G mode.  The closing bass line figure in
the melody of Mrs Cole also seems to indicate the modal equivalent of this note in an A
mode tune.

Such a feature would correspond with what may be the third of three tunings described by
Bunting in MS29 p157.  The retuning of bass F to E below the crónán in C major tuning
would certainly have been an operation related to long established modal harmonic
requirements.  It completely conforms to the diatonic scale which allows D, C, A & G
modes.
tables
Conclusion
Tables
Analysis
Táim i mo Chodladh
Tuning
Words
Féachain Gléis
Cumha Bharúin Loch Mór
Port Priest
Fairy Queen
Gaelic modes home
Gaelic harmony overview
Burns' March
Banks of Claudy
Introduction