TABLES MS20 ff8v-9r

The following figures arise out of the analysis:-

total number of beats notated 120

number of 3rds/6ths in treble 1
number of triads in treble 3
number of single bass notes 40
number of bass octave chords 8
number of bass chords of a 4th & 5th 0
number of bass chords of a 5th 10
number of bass triads 4
number of beats with (falling) staggered octaves between main bass note & treble 36

number of beats with passing notes in melody 1
number of beats with no simultaneously struck bass & treble 76  
number of beats with simultaneous octaves between main bass note & treble 24
number of beats with non-octave concordance between main bass note & treble 19

The last figure is for the number of beats without octaves between bass and treble and yet
harmonising as part of the hypothetical triad.  The figure can be divided under the
subheading of the kinds of intervals used to create non-octaves.

3rds 6
5ths 9
6ths 1
3rds or 5ths 3

System 1

total number of beats notated 24
number of beats with magadising 16
number of beats with crotchet passing notes in melody 1
number of beats with concordance 7

beats with non-octave/unison concordance
bar 1, 1st beat: C & F – melody 5th above bass
bar 3, 2nd beat: A & F – melody 3rd above bass
bar 5, 1st beat: D & Bb – melody 3rd above bass
bar 5, 2nd beat: F & A – melody 6th above bass*
bar 6, 1st beat: A & F – melody 3rd above bass
bar 7, 1st beat: G & G+C – melody 5th above bass

Systems 2 & 3

total number of beats notated 48
number of beats with magadising 37
number of beats with crotchet passing notes in melody 3
number of beats with non-octave concordance 8

beats with crotchet passing notes
bar 5, 2nd beat: D & C+A+F – melody 6th above bass

beats with non-octave/unison concordance
bar 4, 2nd beat: C & C+F – melody 5th above bass
bar 4, 3rd beat: A & C+F – melody 3rd above bass
bar 5, 1st beat: C & C+A+F – melody 5th above bass
bar 11, 1st beat: C & C+F – melody 5th above bass
bar 14, 1st beat: D & Bb – melody 3rd above bass
bar 14, 2nd beat: C/A & F – melody 5th or 3rd above bass
bar 15, 1st: G & G+C – melody 5th above bass


Systems 4 & 5

total number of beats notated 48
number of beats with magadising 40
number of beats with crotchet passing notes in melody 1
number of beats with non-octave concordance 7

beats with non-octave/unison concordance
bar 5, 1st beat: C+A & F – melody 5th above bass
bar 7, 2nd beat: A & F – melody 3rd above bass
bar 11, 1st beat: C & C+F – melody 5th above bass
bar 11, 3rd beat: C/A & C+F – melody 5th or 3rd above bass
bar 14, 2nd beat: C/A & F – melody 5th or 3rd above bass
bar 15, 1st: G & G+C – melody 5th above bass


* shows where 3rds/6ths appear but where the melody note is not the third note of a triad
conclusion
Tables MS33
Conclusion
Tables MS20
Analysis
Táim i mo Chodladh
Tuning
Words
Féachain Gléis
Cumha Bharúin Loch Mór
Port Priest
Fairy Queen
Gaelic modes home
Gaelic harmony overview
Burns' March
Banks of Claudy
Introduction